Stossgebet Fur Meinen Hammer -hans Billian- Lov... May 2026

Stoßgebet für meinen Hammer (alternatively known by its English title, Pray for My Cock) is a 1976 West German adult short film directed by the prolific filmmaker Hans Billian. Produced by Love Film, the 21-minute short is a classic example of the "reportage" or "erotic comedy" style that was popular in German adult cinema during the 1970s. Production Details

Stoßgebet für meinen Hammer (literally "A Quick Prayer for My Hammer") is a West German short adult film released in 1976, directed and produced by the prolific filmmaker Hans Billian. Produced by Love Film, it is representative of the "Bavarian" or "Lederhosen" sex-comedy and adult genre that flourished in West Germany during the 1970s. Production Overview Director/Producer: Hans Billian. Runtime: Approximately 21 minutes. Stossgebet fur meinen Hammer -Hans Billian- Lov...

Stoßgebet für meinen Hammer is a 1976 West German adult short film directed and produced by Hans Billian. It is a notable example of the era's specialized adult cinema, also known internationally by the title Pray for My Cock Plot Overview Stoßgebet für meinen Hammer (alternatively known by its

• The Confession: Acknowledging that the hammer has been misused (perhaps as a doorstop or in a fit of rage).
• The Petition: Asking the hammer to remain true, to not shatter its handle, to strike true against a stubborn nail (a metaphor for a sexual or domestic obstacle).
• The Vow: Promising the hammer a place of honor in the toolbox, or a gentle wipe-down with an oily rag—the equivalent of a religious offering.

• Masculinity and vulnerability: A prayer for a hammer flattens macho posturing into a plea—implying the protagonist's impotence, physical or emotional, remedied only by force or the idea of force.
• Labor and redemption: The hammer as tool suggests a worker's hope for productivity, economic survival, or creative accomplishment; the "prayer" form elevates work to ritual.
• Violence and guilt: Hammer imagery evokes blunt-force violence; a prayer could be supplication after wrongdoing, or a wish to avoid it—moral ambivalence is implied.
• Irony and kitsch: If sung or staged with camp affect, the piece may deliberately invite laughter at the mismatch between melodrama and the object of prayer.