Here’s a draft for a blog or social media post about Steven Wilson’s The Raven That Refused to Sing (And Other Stories), focused on the 2013 FLAC release.
Hi-Res Stereo FLAC: Standard 96kHz/24bit files are available through digital stores like Burning Shed.
- Cymbal decay: Wilson uses Paiste cymbals with long sustain. Lossy codecs truncate the tail into a "pfft." FLAC lets it ring for 8+ seconds.
- Mellotron fidelity: The tape-based Mellotron has inherent wow & flutter. FLAC preserves this analog artifact. MP3 mistakes it for an error and smooths it out (killing the vibe).
- The "Silence": Between tracks, there is analog tape hiss (intentional). FLAC reproduces it accurately. Lossy codecs use "silence encoding" that introduces digital artifacts (chirps) in the gaps.
There are albums you listen to. And then there are albums that lock you in a dimly lit room, force-feed you vintage analog tape hiss, and leave you emotionally wrecked by the final chord.