Schubert Impromptu Op 90 No 2 Harmonic Analysis Repack «iOS»

This piece is a study in harmonic deception. While written in E-flat major, it immediately subverts the tonic and uses a relentless triplet motor to create a sense of flowing, anxious energy rather than stable repose.

Part 2: The B Section (Bars 70–117) – The Mediant Shift

Key: E major (enharmonic of F-flat major) schubert impromptu op 90 no 2 harmonic analysis

This piece is less about functional harmony and more about harmonic color and narrative surprise – a hallmark of Schubert’s mature style, anticipating Liszt and even Wagner. This piece is a study in harmonic deception

Below is a structured, paper-ready analysis focusing on harmony, form, and function. paper-ready analysis focusing on harmony

• The second phrase introduces mild harmonic tension: increased use of ii and V/V (applied dominant) leading toward Bâ™­ major.
• Chromatic neighbor tones and passing diminished-seventh sonorities appear to intensify motion toward the cadence.
• The PAC at m.16 confirms Eâ™­, but Schubert’s voice-leading keeps the warmth intact (no abrupt dramatics).