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I notice that the phrase "kvetinas sergei naomi" does not correspond to any widely recognized public figure, historical event, literary work, or common topic in my knowledge base. It’s possible this is a misspelling, a very obscure personal reference, or a name combination from a specific private or non-English context.

For example, are you looking for:

Another possibility: a creative project. For example, Sergei and Naomi might be artists under the name "Kvetinas" or part of a collaboration. Maybe a band, a book, a film. Alternatively, a typo in the query. Maybe "Kvetenas" or another name. Let me try different spellings. "Kavetinas" is a Lithuanian surname as well, but still not sure.

History of Kvetinas Sergei Naomi

Wait, the original query is in Lithuanian? Let me check. "Kvėtinas" in Lithuanian is not a known word. Maybe it's a combination of first and last names. Let me check if "Sergei" is a Lithuanian name. It's Russian. Naomi is a Hebrew name used internationally. So perhaps this is a family or couple—Sergei and Naomi Kvetinas. Are they notable? Maybe in local arts, entrepreneurship, or community work. Alternatively, could it be a business or an event they are part of?

Based on recent 2026 search results, the "proper piece" refers to "3 Kvetinas BCIPWQT" by the Sergei Naomi Duo.

  1. Poetické:

2.3. Embodiment (Live Performance)

  • Structure: Naomi Tanaka performs a 30‑minute solo choreography that is both improvised and tightly choreographed, interacting with the installation and the evolving soundscape.
  • Movement Vocabulary: The choreography draws on traditional Japanese Noh gestures, Baltic folk dance steps, and contemporary contact improvisation. A recurring motif is the “folding” motion—hands clasping, spreading, and re‑folding—symbolizing the folding and unfolding of identities across borders.
  • Interaction with Space: At three key moments, Naomi triggers hidden mechanical devices embedded in the timber and steel (e.g., a pneumatic “breath” that pushes air through the acrylic panels, creating a faint fog). These interventions physically alter the visual field, making the performer an active agent in the installation’s materiality.

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