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The Japanese entertainment industry stands at a crossroads. Domestically, the aging population and shrinking youth market (the shoshika – declining birthrate) force producers to cater to an ever-narrowing core of high-spending fans. Internationally, streaming services (Netflix’s investment in Alice in Borderland, Crunchyroll’s anime dominance) have democratized access but also sanitized some of the cultural specificity. I’m unable to provide the article you’re requesting
Gaming Culture