Report: Immoral and Indecent Relations in the Cinema of Tatsumi Kumashiro
The narrative explores several key themes typical of Kumashiro’s work: immoral indecent relations tatsumi kumashiro work
The "indecency" referenced in the title operates on two levels. On the surface, it refers to the explicit nature of the affairs. However, the deeper "indecency" is the protagonist’s moral apathy. He is a man disconnected from the post-war economic miracle of Japan, drifting in a haze of longing for a past that may never have existed. He uses women as anchors, attempting to ground himself in the physical world because the emotional and economic worlds have failed him. Report: Immoral and Indecent Relations in the Cinema
Considered one of the best Nikkatsu pink films; a character study of a woman's search for satisfaction. Immoral: Indecent Relations His final work, completed posthumously. www.imdb.com Immoral: Indecent Relations (Video 1995) - IMDb He is a man disconnected from the post-war
In the pantheon of Japanese cinema, few figures are as simultaneously celebrated and dismissed as Tatsumi Kumashiro. To the uninitiated, his name is buried in the footnote of a footnote—a director who worked primarily in the lucrative, low-budget, soft-core studio system known as Roman Porno (romantic pornography) at Nikkatsu Studios during the 1970s and 80s. To critics and cinephiles, however, Kumashiro is the genre's undisputed auteur, a radical humanist who used the scaffolding of exploitation to dissect the rotting heart of post-war Japanese society.
If you are studying Kumashiro’s filmography, keep these tips in mind: Context Matters: