This guide covers Deus da Ira (originally God of Wrath), the third installment in the popular Legacy of Gods series by bestselling author Rina Kent. Overview: Deus da Ira (Legado dos Deuses 3)
Rina Kent is known for her "dark" themes, and Deus da Ira delivers on all fronts: Deus Da Ira -LEGADO DOS DEUSES 3- Por Rina Kent EPUB
O que deveria ser apenas um favor para um amigo acaba se tornando o maior erro da vida de Cecily. Ao se infiltrar na iniciação de uma gangue rival, ela atrai a atenção de Jeremy Volkov — um predador implacável escondido sob uma máscara de charme. Ele não quer apenas conhecê-la; ele quer possuí-la, protegê-la de seus próprios demônios e arrastá-la para seu mundo de sombras. O que esperar deste volume: Book God of Wrath Rina Kent - Bookdelivery Portugal This guide covers Deus da Ira (originally God
Elian era um jovem corajoso e determinado, que sentia ter uma missão a cumprir. Ele acreditava que Azrael não era um deus mau, mas sim um ser que havia sido mal compreendido por todos. Movido por essa crença, Elian empreendeu uma jornada para encontrar Azrael, esperando que pudesse libertá-lo de sua maldição e trazê-lo de volta à luz. Ele não quer apenas conhecê-la; ele quer possuí-la,
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Jeremy Volkov (The Wrath): Jeremy has been the boogeyman of the series. He is cold, calculated, and ruthless. In the pantheon of "Gods," he represents Wrath—not just explosive anger, but a simmering, calculated destruction. Kent’s character study here is fascinating. Jeremy isn't angry because he is bad; he is angry because he cares too much and has been forced to suppress it. He is the protector who destroys everything he touches. The central question of the book is: Can a monster be tamed, or does he simply find someone who isn't afraid of the dark?
Enter the heroine (often kept nameless or vaguely referred to in blurbs to preserve the mystery of her connection to previous characters, though readers of the series will recognize the intricate web of connections). She is his opposite in many ways—light to his dark, softness to his steel. The central conflict arises not just from external mafia threats, but from the friction of their forced proximity. Aaron is not a hero who sweeps the heroine off her feet; he is a "god of wrath," a man who burns everything in his path. The central question of the book is whether love can survive in a foundation built on vengeance and forced unions.