Released in 1982, Azimut is the fifth studio album by the celebrated Italian singer-songwriter Alice (born Carla Bissi). Following the massive success of her 1981 album Alice (also known as Per Elisa), Azimut represents a pivotal moment in her career where she began to balance accessible pop sensibilities with deeper musical experimentation. Musical Style and Direction

Listen to: Azimut (1982) – Alice Preferred Format: FLAC (16-bit / 44.1kHz) Mood: Venetian gloom, cosmic navigation, analog warmth.

For audiophiles, Azimut is highly sought after in FLAC 16-bit/44.1kHz (CD quality) format to preserve the intricate synthesizer work and Alice's powerful vocal range. The album remains a favorite among fans for its consistent quality, often cited as one of the best "basic" pop albums that still manages to challenge the listener.

Other artists from the same era (like Battiato or Giuni Russo) Technical tips for optimizing your FLAC playback

Overview

Alice — Azimut (1982) — FLAC 16/44

Alice’s Azimut (1982) captures a pivotal moment in the Italian singer’s evolution: rooted in art-pop and melodic sophistication, the record balances introspective songwriting with adventurous arrangements. This FLAC 16/44 rip preserves the album’s dynamic range and clarity, letting the nuance of each instrument and Alice’s expressive voice come through without added compression.

Why CD-Quality FLAC Matters for Azimut

The original analog master tapes of Azimut were recorded with significant attention to stereo imaging, reverb tails, and the transient attack of synthesizers. A lossy MP3 (even at 320 kbps) tends to smear the high-frequency harmonics of Alice’s voice and flatten the depth of the soundstage. In 16-bit/44.1kHz FLAC – the exact resolution of a Compact Disc – you hear:

"Laura degli specchi": Written by Eugenio Finardi, often cited by Rate Your Music reviewers as a highlight of "Baroque/Progressive Pop". Audiophile Context: FLAC 16-bit/44.1kHz